Unstressed

  • Poetry
  • Culture
  • Design

A weblog from the editors of Linebreak

The regulars

Ash Bowen's poetry has appeared in Crab Orchard Review, Blackbird, and Black Warrior Review, among other publications. He lives and works in Texarkana, AR.

Jennifer Jabaily's poetry has appeared in Mannequin Envy and Fickle Muses. She's a second-year MFA student at the University of Arkansas in Fayetteville.

Ashley Anna McHugh is a third-year MFA student at the University of Arkansas in Fayetteville. Her poems have appeared or are forthcoming in Measure, DIAGRAM and Memorious as well as other publications.

Johnathon Williams's poetry has appeared in Best New Poets 2009, the Pebble Lake Review, and Unsplendid. He lives in Fayetteville, AR, with his wife and daughters.

Criticism & creativity

John Siracusa on the importance of criticism in the creative process:

The drawbacks are obvious. Knowing what’s wrong with something or thinking that you do, which, for the purposes of this discussion, should be considered the same thing does a fat lot of good if you lack the skills to correct it. And thinking that you know what’s wrong with everything requires significant impulse control if you want to avoid pissing off everyone you meet.

But much worse than that, it means that everything you ever create appears to you as an accumulation of defeats. “Here’s where I gave up trying to get that part right and moved on to the next part.” Because at every turn, it’s apparent to you exactly how poorly executed your work-in-progress is, and how far short it will inevitably fall when completed. But surrender you must, at each step of the process, because the alternative is to never complete anything—or to never start at all.

I’m reminded of how many poets & writers have said they don’t finish works so much as give up on them.

(via Daring Fireball)

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