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	<title>Unstressed &#187; Maxine Chernoff</title>
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		<title>Memorable Poem #4</title>
		<link>http://linebreak.org/blog/2009/10/22/memorable-poem-4/</link>
		<comments>http://linebreak.org/blog/2009/10/22/memorable-poem-4/#comments</comments>
		<pubDate>Thu, 22 Oct 2009 21:44:30 +0000</pubDate>
		<dc:creator>Carolyn Guinzio</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Maxine Chernoff]]></category>

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		<description><![CDATA[No subject matter is undeserving of poetry’s attention. Ideally, something interests or inspires us, acts as a springboard, or we become fascinated with a figure or theme. When our ideas find us, when we’re truly connected to them, poetry can attend to anything— science, history, other mediums— in unexpected ways, making it a necessary aspect [...]]]></description>
			<content:encoded><![CDATA[<p>No subject matter is undeserving of poetry’s attention. Ideally, something interests or inspires us, acts as a springboard, or we become fascinated with a figure or theme. When our ideas find us, when we’re truly connected to them, poetry can attend to anything— science, history, other mediums— in unexpected ways, making it a necessary aspect of the human story. Less than ideally, we feel like we’re writers and we should be writing, and we cast our eye around until it lands on something we can write about. There are a lot of disconnected, forgettable works built on interesting foundations. </p>
<p>In “How Lies Grow,” Maxine Chernoff addresses one of the great conflicts of motherhood with wit and economy. I was a long, long way from being a mother the first time I read this poem, but it’s never left me. Conversely, since becoming a mother, I’ve read dozens of poems about motherhood that I couldn’t connect to at all. Something authentic shines through a poem that insists upon being a poem. I’ve learned from my own unwillingly fallow times that ideas hammered into replicas of poems have only the thinnest veneer. And I’ve learned as a reader that even when I don’t particularly care about the subject, if the poem generates the kind of heat that only a genuine impulse creates, I can still care about the poem. </p>
<blockquote class="complete"><p>Maxine Chernoff<br />
How Lies Grow</p>
<p>The first time I lied to my baby, I told him it was his face on the baby food jar. The second time I lied to my baby, I told him that he was the best baby in the world, that I hoped he’d never leave me. Of course I want him to leave me someday. I don’t want him to become one of those fat shadows who live in their mother’s houses watching game shows all day. The third time I lied to my baby, I said, “Isn’t she nice?” of the old woman who’d caressed him in his carriage. She was old and ugly and had a disease. The fourth time I lied to my baby, I told him the truth, I thought. I told him how he’d have to leave me someday or risk becoming a man in a bow-tie who eats macaroni on Fridays. I told him it was for the best, but then I thought, I want him to live with me forever. Someday he’ll leave me. Then what will I do?</p></blockquote>
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