Unstressed

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A weblog from the editors of Linebreak

The regulars

Ash Bowen's poetry has appeared in Crab Orchard Review, Blackbird, and Black Warrior Review, among other publications. He lives and works in Texarkana, AR.

Jennifer Jabaily's poetry has appeared in Mannequin Envy and Fickle Muses. She's a second-year MFA student at the University of Arkansas in Fayetteville.

Ashley Anna McHugh is a third-year MFA student at the University of Arkansas in Fayetteville. Her poems have appeared or are forthcoming in Measure, DIAGRAM and Memorious as well as other publications.

Johnathon Williams's poetry has appeared in Best New Poets 2009, the Pebble Lake Review, and Unsplendid. He lives in Fayetteville, AR, with his wife and daughters.

On Memory

My mother taught me to read when I was three.   When I was in first grade, my teacher was in the middle of a sentence in Tik-Tok of Oz when she was called out of the room.  While she was gone, I got up and finished the chapter out loud because I couldn’t stand being left hanging.    When she came back and asked who’d been playing with her book,  I told her what I’d done but she didn’t believe me until the rest of the class spoke up.   Her reaction wasn’t  surprising since I’d been reading Dick and Jane– those books with about three words to the page and the father with the hat who was always leaving for work—at exactly the same pace as everyone else.   Maybe I thought that was how you were supposed to do it.    Or maybe I didn’t want the other kids to know I could read.   I do know I wanted to pass for normal since by the time I was seven, I was looking up my age group in The Child from Five to Twelve, and if,  for example, the book said the average person my age  liked spinach I’d try to like it.

About that time I started memorizing songs. I’d take Daddy’s original cast LPs of musical comedies to my room and play them over and over until I’d learned all the words to everything on them.   Daddy had pretty much every classic show: South Pacific, Carousel, Kiss Me Kate, Brigadoon.     Somewhere, and I’ve never been able to trace where, I also picked up a lot of jazz tunes.  Then there were the hymns; I knew those because my mother made us go to church.

But with the exception of my favorite A.A. Milne poems, songs were all I memorized until I was in sixth grade.  My teacher that year, a Mrs. Barnette Robinson (in those days no one called teachers by their first names), was trying out something she called R.I.A.    I forget what the letters stood for but it  involved a piece of classical music (example: Finlandia),  a painting (example: Girl Before a Mirror), and a poem, new ones every week.   The poems tended towards the popular more than the selections from other genres, because Mrs. R. had chosen them by asking her friends what their favorites were.   I especially remember  liking “If.”  I took to “Invictus” too, because of the part about being master of my fate and captain of my soul.   Anyhow, at the end of sixth grade we were assigned to memorize and recite a poem for parents’ evening.      Most kids picked something with as few lines as they could get away with but not me.   I chose “The Highwayman” by Alfred, Lord Noyes.   I was willing to overlook Noyes’  odd middle name because being a romantic little girl,  I just loved the story he told.   And the fact that the poem was so long didn’t bother me either because  in the end, it was just another song.

I can still do “The Highwayman,” all the way through.  In fact when I taught Computer Science at the University of Florida—for more years than I care to revisit—I used to recite it to every class. The students could have complained since, looked at narrowly, this wasn’t what they were paying for– but I thought it was worth the risk.   By that time I was a born-again preacher of poetry and “The Highwayman” was exciting enough to cause some of my students who thought it stopped at the classroom door to think again.   Besides, I wanted to show them how, if they’d only memorize what they loved, they could keep it.

When I stood up to recite “The Highwayman” for a roomful of parents in sixth grade, I didn’t miss a beat. And for a long time after that my memory stood me in perfect stead.    But then came the day—I was a sophomore in high school–that  my English teacher, Miss Quick, passed out a test.   At first I felt the usual surge of adrenalin.   But then I looked around the room at Beaver and Brooksie and Church, all writing furiously, and suddenly I didn’t care about the test because what I really wanted, and deeply,came down to two things: to have a nickname and to be allowed to shave my legs.    The thought threw me so completely that when I looked back at my paper nothing on it made sense.   I came up with some random sentences for essays and marked the first letter that came to mind on the quotes.  The result was predictable enough.  When the test came back, I’d made a D.   After that, I began waking in the middle of the night.  What if it happens again?   What if I get to school some day and I don’t know who Hamlet is?   What if all the verses to “Come Thou Almighty King” just go away?   What if I wake up one morning and I’m not here?

And I would tell this child that one Tuesday when she’s long grown she’ll be walking across the Plaza of the Americas.   And when her best friend comes towards her and they stop to talk, she will realize she has forgotten his name. But she will never forget what she really knows.   And some day, years from now, she’ll see her father’s watery eyes fill with tears because she can still sing all the verses to” A Cowboy’s Farewell, ” his favorite of all the songs he ever wrote.   And as long as she lives, when she thinks  “The wind is a torrent of darkness, among the gusty trees,”  the hairs will rise on the back of her neck.

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