Unstressed

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A weblog from the editors of Linebreak

The regulars

Ash Bowen's poetry has appeared in Crab Orchard Review, Blackbird, and Black Warrior Review, among other publications. He lives and works in Texarkana, AR.

Jennifer Jabaily's poetry has appeared in Mannequin Envy and Fickle Muses. She's a second-year MFA student at the University of Arkansas in Fayetteville.

Ashley Anna McHugh is a third-year MFA student at the University of Arkansas in Fayetteville. Her poems have appeared or are forthcoming in Measure, DIAGRAM and Memorious as well as other publications.

Johnathon Williams's poetry has appeared in Best New Poets 2009, the Pebble Lake Review, and Unsplendid. He lives in Fayetteville, AR, with his wife and daughters.

The “Education” of This Poet (finale): Applied Platonism; or, What Work Isn’t

18th Century Gulliver

18th Century Gulliver

[It has been a pleasure blogging for Linebreak; the journal is excellent, and I thank the editors for the opportunity.

I'm closing my week as guest blogger with a piece I recently wrote for my own blog, Mindbook (www.mindbook1.blogspot.com); I reproduce it here because it is not only the necessary but the only possible ending for this sequence on my strange education.]

I had been before to Warehouse 9. Situated on a cul-de-sac near the margin of the Army Corps of Engineers facility where I was then working, it was a large but unprepossessing building: sheet metal quonset-hut style, like an airplane hanger–probably it was in fact a recycled or otherwise diverted airplane hanger–large enough to contain, perhaps, a football field.

When I had looked inside Warehouse 9 before, it was empty except for a large expanse of dust-filtered sun angling down from skylights. This day, therefore, I walked up a short flight of wooden stairs onto a loading dock and opened a door, expecting nothing. What I saw instead was an ocean.

To be more precise, what I saw was a model ocean, a working replica of an ocean. But when I opened the door, I did not yet know that. All I knew was that the place was full of water, to a depth just below the level of the loading dock where I was standing, a sheet of water that extended virtually the length and breadth of the building. I stood for a moment bewildered; there was something here, I had been told, that I was supposed to see, but beyond the water, it was hard to tell what that might be or what I was to do.

As my eyes adjusted to the light, I noticed a narrow platform in front of me, that led to a narrow walkway built of planks that led to the wall and then down the length of the building. I followed it, not knowing what else to do, and then saw that at the far end of the warehouse there was — what? something, and a couple of people moving in the dusky light.

*

It was many years ago, in a universe far away. I had a job.

1972, a year when people were still considering dropping out as a viable lifestyle: always behind the curve, I was dropping in. I was 22. I had completed a Masters degree in literature and creative writing all except the thesis; struggling to finish the thesis, I convinced myself that the whole academic enterprise was a mistake for me. (more…)

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