The “Education” of This Poet (finale): Applied Platonism; or, What Work Isn’t
[It has been a pleasure blogging for Linebreak; the journal is excellent, and I thank the editors for the opportunity.
I'm closing my week as guest blogger with a piece I recently wrote for my own blog, Mindbook (www.mindbook1.blogspot.com); I reproduce it here because it is not only the necessary but the only possible ending for this sequence on my strange education.]
I had been before to Warehouse 9. Situated on a cul-de-sac near the margin of the Army Corps of Engineers facility where I was then working, it was a large but unprepossessing building: sheet metal quonset-hut style, like an airplane hanger–probably it was in fact a recycled or otherwise diverted airplane hanger–large enough to contain, perhaps, a football field.
When I had looked inside Warehouse 9 before, it was empty except for a large expanse of dust-filtered sun angling down from skylights. This day, therefore, I walked up a short flight of wooden stairs onto a loading dock and opened a door, expecting nothing. What I saw instead was an ocean.
To be more precise, what I saw was a model ocean, a working replica of an ocean. But when I opened the door, I did not yet know that. All I knew was that the place was full of water, to a depth just below the level of the loading dock where I was standing, a sheet of water that extended virtually the length and breadth of the building. I stood for a moment bewildered; there was something here, I had been told, that I was supposed to see, but beyond the water, it was hard to tell what that might be or what I was to do.
As my eyes adjusted to the light, I noticed a narrow platform in front of me, that led to a narrow walkway built of planks that led to the wall and then down the length of the building. I followed it, not knowing what else to do, and then saw that at the far end of the warehouse there was — what? something, and a couple of people moving in the dusky light.
*
It was many years ago, in a universe far away. I had a job.
1972, a year when people were still considering dropping out as a viable lifestyle: always behind the curve, I was dropping in. I was 22. I had completed a Masters degree in literature and creative writing all except the thesis; struggling to finish the thesis, I convinced myself that the whole academic enterprise was a mistake for me. (more…)
